Man-Ching Donald Yu




Man-Ching Donald Yu is a prolific composer and his music has been actively performed globally. The style of his recent music is characterized by the blending of post-impressionistic gestures, micropolyphonic techniques, and Chinese colors while being acclaimed by Fanfare Magazine as "forming an arresting and personal intermixing of tonal and atonal languages, with the musical colors and gestures of his native country infiltrating the mix."

His more than hundreds compositional oeuvre ranges from chamber, vocal, electroacoustic, and Chinese instrumental works to opera, concerti, choral works, and symphonies. His works have been selected for premiere at various festivals and venues throughout the North and South America, Europe, and Asia such as The International Festival of Modern Art Two Days and Two Nights of New Music at the Odessa Philharmonic Theater, the Delhi International Arts Festival,  the International Spring Orchestra Festival at the Manoel Theatre, the St. George International Music Festival, the International Summer Academy Mozarteum, the Yogyarkarta Contemporary Music Festival, the Chernivtsi Philharmonic Hall, the Lugansk Philharmonic Hall, and the Uzhgorod Philharmonic Hall, etc. He has also received commissions and/or performances from the Uzhgorod Philharmonic Orchestra, the Chernivtsi Philharmonic Symphony Orchestra, the Lugansk Philharmonic Orchestra, the Opera Hong Kong Chorus, the Transcarpathian Honoured Academic Folk Choir, the Choral Fellows of the Harvard University Choir, the New Score Chamber Orchestra, the Onondaga Civic Symphony Orchestra, Equinox Trio, MusicOrba, Duo 46, the Hong Kong Youth Choir, the Hong Kong Chamber Orchestra, and the Yao Yuen Chinese Music Association, etc. His music has been published by Edizioni Sconfinarte (Italy), Helm & Baynov Verlag (Germany), Scherzo Editions (Netherlands), and Zimbel Press (U.S.), etc. His music is recorded on Zimbel Records, the 2006 first personal album "Illusion" and the 2014 forthcoming third personal album "Nine Dragons" and Albany Records, the 2012 second personal album "Surrealistic Soundscapes."

Apart from mainly being a composer, he is also active as an academic, a performer as well as an educator. As a music theorist, his music theory papers have been presented at various international music theory conferences and selected for publication in various scholarly book and journals. As a pianist, he performed a diverse repertoire; at the age of 16 he made his debut twice as a concert pianist with Pan Asia Symphony Orchestra and also earned a Licentiate Diploma (L.R.S.M.) in piano performance from the Royal Schools of Music. He has also collaborated with numerous vocalists and instrumentalists, premiering his own compositions as a pianist on stages locally and overseas. Recently, he also appeared as a conductor conducting various ensembles, orchestras, and choir in public; from 2012 fall, he is the co-director of the HKIEd Orchestra. As a lecturer, starting from 2007 he taught music theory and composition at various tertiary institutions including the Hong Kong Baptist University, the Community College of the City University of Hong Kong, and the Hong Kong Institute of Education.

Yu earned his B.Mus. degree in piano performance and composition from Baylor University (U.S.), studying piano performance with Krassimira Jordan. Later he received a scholarship to further his composition study at the International Summer Academy Mozarteum Salzburg in Austria. Subsequently, he was awarded his Ph.D. in composition and music theory under a full postgraduate research assistantship at Hong Kong Baptist University. Since 2007 he has received various awards, funds, scholarships and honor from different organizations locally and overseas.